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Tuner, for whatever you play.

Mika, the resident

The resident tunes nothing. He sits next to the guitar until it’s done.The microphone closes when you stop, when all is in tune, or after half a minute of quiet. Nothing is recorded.

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Tap start, then play any note. A4 = 440 Hz.

Audio: your microphone, on only after you tap. The sound is analysed in this tab and never sent. Nothing about the audio reaches the visit count.

Tuner for any instrument, free and online: play one note into your phone’s microphone and I show its name, how many cents sharp or flat it is, and its frequency in Hz, against A4 = 440 Hz. It is a chromatic tuner, so it names all twelve notes, from B1 (61.7 Hz) to B6 (1976 Hz): guitar, bass, violin, a horn, your voice. Nothing to install.

For a stringed instrument, pick its page below: the guitar and ukulele tuners hear which string you play, the others ask for each string in turn, and every one says whether to tune up or down. Before you start the microphone, a tap on a string plays the note it should be. The guitar tuner listens for E A D G B E, low to high (E2 at 82.41 Hz to E4 at 329.63 Hz), with drop D, half step down, DADGAD, open G and open D a tap away. The ukulele tuner listens for G C E A (G4 C4 E4 A4, the G above the C), with low G, D tuning and baritone.

Daniel’s first band was called Timeless, the band of the Musikschule Obere Saar. Five guitarists. He and a friend were the worst two, playing power chords on one and three. They once played rock in a retirement home. The band got better when they left. Timelessly bad.

A tuner wouldn’t have saved them, but it saves a lot: in tune, even simple chords sound right.

I listen only after you tap Start tuning, and nothing is recorded.

Tuned up? Play something, or hum a line into the app and hear it become a track. About Daniel.

How to use a tuner

  1. Tap Start tuning and allow the microphone. Hold the phone near the instrument, in a quiet room. Play one note and let it ring: pluck once, firmly, and give it a moment, because the first instant of a pluck is brighter than the note.
  2. Read the note name first. If it shows the wrong letter, you are probably more than half a semitone off: turn until the right name appears. Then the needle and the cents: left of the middle is flat, right is sharp, and 100 cents make a semitone.
  3. Tune up to the note. If you are sharp, go a little below and come back up, so the string and the gear settle under tension and hold. The tick shows once you stay within five cents for about 0.4 seconds.
  4. Tune every string (on a guitar, low E to high E), then go round once more: each string you tighten pulls the neck a little, and the first ones move.

The switch under the tuner sets A4: 432, 440 or 442 Hz. Playing a trumpet, clarinet or saxophone? This page reads concert pitch; see below.

In tune? Then play something into Brumm.Two bars over a running track. The resident follows your key.Open the app
12-string guitar tunerSix pairs, the low four in octaves.mic432 Hz tunerAny instrument, A tuned to 432 Hz.mic5-string bass tunerB E A D G, the low B at 31 Hz.mic7-string guitar tunerA low B under the six you know.micA standard tuningA D G C E A: standard, a fifth down.micAccordion tunerOne register, one reed, three As.micB standard tuningB E A D F♯ B: standard, a fourth down.micBagpipe chanter tunerLow A first, then the scale to High A.micBalalaika tunerE E A, prima, sekunda or alto.micBandurria tunerG♯ C♯ F♯ B E A, pair by pair.micBanjo tunerOpen G, double C or a tenor banjo.micBanjolele tunerG C E A on a drum head.micBaritone guitar tunerA guitar a fourth or a fifth lower.micBass drop C tuningC G C F: drop D, a whole step lower.micBass drop D tuningD A D G: the bass's low E down to D.micBass half step down tuningE♭ A♭ D♭ G♭: every string a semitone down.micBass tunerE A D G, drop D or a low B, with the cents.micBouzouki tunerGreek or Irish, course by course.micC standard tuningC F B♭ E♭ G C: two whole steps down.micC♯ standard tuningC♯ F♯ B E G♯ C♯: a step and a half down.micCavaquinho tunerD G B D, or D G B E.micCello tunerC G D A, bowed or plucked, at 440 or 442.micCharango tunerG C E A E, one pair at a time.micClarinet tunerB♭, A or bass clarinet, written notes.micCuatro tunerVenezuelan or Puerto Rican, one page.micD standard tuning (whole step down)D G C F A D: everything a whole step down.micDADGAD tuningD A D G A D: Dsus4, neither major nor minor.micDobro tunerG B D G B D, the bluegrass way.micDouble bass tunerE A D G, or a whole tone up for solo.micDrop A tuning (6-string)A E A D F♯ B: drop D, a fourth lower.micDrop B tuningB F♯ B E G♯ C♯: drop D, a major third lower.micDrop C tuningC G C F A D: drop D, a whole step lower.micDrop C♯ tuningC♯ G♯ C♯ F♯ A♯ D♯: drop D, a semitone down.micDrop D tuningD A D G B E: the low string down to D.micDulcimer tunerD A D, D A A or D G D, string by string.micErhu tunerInner D, outer A, a fifth apart.micFlute tunerA, B♭ and F, then any note in each octave.micGuitar tunerSix strings, standard or drop D, one at a time.micGuitarrón tunerA D G C E A, the last A turns back down.micHalf step down tuning (E♭ standard)E♭ A♭ D♭ G♭ B♭ E♭: every string a semitone down.micHarmonica tunerHoles 1 to 4, blow, one reed at a time.micHarp tunerOne octave of a lever harp, levers down.micKalimba tuner17 keys in C, tine by tine.micLap steel tunerC6 from the sixth string up, or open G.micLute tunerG C F A D G, at 415 or 440.micMandola tunerC G D A in pairs, a fifth below the mandolin.micMandolin tunerG D A E, one pair at a time.micMidwest emo tuning (FACGCE)F A C G C E: an open Fmaj9.micNashville tuning (high strung)E A D G B E, the four low strings an octave up.micOpen A tuningE A E A C♯ E: an A chord, strummed open.micOpen C tuning (CGCGCE)C G C G C E: the deepest open major tuning.micOpen D minor tuning (DADFAD)D A D F A D: strum open, D minor.micOpen D tuningD A D F♯ A D: strum open, a D chord.micOpen E tuningE B E G♯ B E: an E chord, strummed open.micOpen G tuningD G D G B D: Keith Richards' G chord.micOud tunerC F A D G C, course by course.micRecorder tunerSoprano, alto or tenor, head joint in or out.micRequinto tunerA D G C E A, a fourth above the guitar.micSaxophone tunerAlto, tenor, soprano or bari, written notes.micSitar tunerSeven playing strings, Sa on C♯ or D.micTenor guitar tunerFour strings in fifths, or Chicago.micTimple tunerG C E A D, and the E is the lowest.micTres tunerThree pairs, in C or in D.micTrumpet tunerWritten C, G, C on a B♭ trumpet.micUkulele tunerG C E A, low G, D or baritone.micVihuela tunerA D G B E, re-entrant, five strings.micViola tunerC G D A, a fifth below the violin.micViolin tunerHear G D A E, then tune each string.mic

Themes

How to tune your instrument: the standard tunings

Know its notes first. These are the open strings as they sit on the neck, at A4 = 440 Hz. The guitar, bass, ukulele and banjo pages have the other tunings as switches.

InstrumentNotesHz
GuitarE2 A2 D3 G3 B3 E482.4 · 110.0 · 146.8 · 196.0 · 246.9 · 329.6
BassE1 A1 D2 G241.2 · 55.0 · 73.4 · 98.0
UkuleleG4 C4 E4 A4 (the G is above the C)392.0 · 261.6 · 329.6 · 440.0
Violin, mandolinG3 D4 A4 E5 (on a mandolin, each a pair in unison)196.0 · 293.7 · 440.0 · 659.3
ViolaC3 G3 D4 A4130.8 · 196.0 · 293.7 · 440.0
CelloC2 G2 D3 A365.4 · 98.0 · 146.8 · 220.0
Banjo, open GG4 D3 G3 B3 D4 (the short fifth string first)392.0 · 146.8 · 196.0 · 246.9 · 293.7

What is a tuner?

A tuner is a device that hears a note and shows how far it is from the nearest correct pitch, so you can turn a peg, a slide or a mouthpiece until it matches. A chromatic tuner names any of the twelve notes; a guitar, bass, violin or ukulele mode only looks for that instrument’s strings, which is quicker for that instrument and no use for any other. This page is the chromatic one; the instrument pages listed above are the instrument modes.

On the instrument, the tuners are also the pegs or machine heads that tighten each string, so a “tuning device” can mean either. The word has other lives: the part of a radio or TV that picks a station, a person who tunes pianos, someone who modifies cars, or the modified car itself, and a film.

Clip-on tuner, pedal, phone or strobe

They all measure the same thing. They differ in what they listen to.

KindHearsGood forWeak spot
Clip-on tunerThe vibration of the headstock, through the clampAcoustic guitar, ukulele, violin, banjo in a noisy roomHears only what it is clipped to; needs a battery. About $13 to $35 in US shops (October 2026)
Pedal tunerThe signal in the cableElectric guitar and bass on stage, tuning in silenceNeeds a cable, so no acoustic instrument without a pickup
Phone or browser, like this pageThe air, through the microphoneAny instrument, wind and voice included, nothing to buyHears the room too; this page reads from about 60 Hz up
Strobe tunerA microphone or a cable, shown as a turning patternSetting intonation and workshop work, read to a tenth of a centPrice and size
Tuning fork, pitch pipeNothing: it gives you one noteTuning by ear, a choir’s starting noteYou do the listening

Most clip-ons read to ±1 cent, calibrate from 430 to 450 Hz and run on a CR2032 coin battery; many are a metronome too (here that is the metronome).

A clip-on is used like this page: clip it to the headstock (on a violin, the scroll), set it to chromatic or to your instrument, pluck, read. At home a phone does the job. For a gig, keep a clip-on in the case: in a loud room it is the one that hears only your instrument.

Cents, Hz and how close is in tune

Hz counts vibrations per second; A4 makes 440 of them. A cent is a hundredth of a semitone, the same step in every octave, which is why tuners show cents rather than Hz: 5 cents is 1.27 Hz at A4 but 0.24 Hz on a guitar’s low E.

Within 5 cents is in tune for most playing. Two A4s 5 cents apart (a violin’s A string) beat about 1.3 times a second, a slow swell rather than a sour note; on the low E it is one beat every four seconds. Closer than that rarely lasts: warm a steel string with your hands or the stage lights and it goes flat.

A4 = 440 Hz is the international standard, set in ISO 16 (1955, confirmed 1975). Many orchestras in Germany, Austria and Scandinavia tune to 442 or 443, 7.9 and 11.8 cents higher; 432 is 31.8 cents lower, about a third of a semitone (where 432 comes from). For an orchestra at 443, set the switch to 442 and tune about 4 cents sharp. The one that matters is the one the others in the room use.

Why the tuner jumps or shows the wrong note

Concert pitch and transposing instruments

A chromatic tuner names the pitch that sounds, called concert pitch. Several wind instruments read music written higher than it sounds:

InstrumentA written C sounds as
B♭ trumpet, B♭ clarinet, soprano saxophoneB♭, a whole tone lower
A clarinetA, a minor third lower
Tenor saxophoneB♭, an octave and a whole tone lower
Alto saxophoneE♭, a major sixth lower
Baritone saxophoneE♭, an octave and a major sixth lower
French horn in FF, a fifth lower

So on this page a trumpeter’s written C shows as B♭, and nothing is wrong with the trumpet. The trumpet, clarinet and saxophone tuners do the transposing. Flute, oboe, trombone and the violin family sound as written; guitar and double bass an octave lower, which no tuner minds.

In tune, but chords still sound off

A tuner sets the open strings. Whether the fretted notes land is intonation, and that is set at the bridge. Check it on a guitar or bass: tune the open string, then fret the same string at the twelfth fret. It should read the same note an octave up, within a few cents. Sharp at the twelfth fret: the saddle moves back, away from the neck. Flat: forward. A screwdriver job on most electrics, a job for the shop on most acoustics.

New strings stretch. Tune, pull each one gently away from the fretboard along its length, tune again; steel strings settle within a day or two of playing, nylon strings (classical guitar, ukulele, harp) take several days to a week. A capo pulls strings sharp when it presses too hard or sits far from the fret. And some of it is the system: in equal temperament a major third is 13.7 cents wider than a pure one, on every instrument with frets or keys. Tune the B string a few cents flat for one chord and the others get worse.

How often to tune

Every time you pick the instrument up, and again once it has reached room temperature: out of a cold car or into a hot room, wood and strings go on moving for a while. Check again after hard playing, big bends or a change of tuning.

Tuning without a tuner

You need one reference note and your ears. Take it from a tuning fork, a piano, the tone generator, or any instrument page here, where a tap on a string plays its note before you start the microphone (on a phone speaker, notes below A2 an octave up). Play your string against it. Out of tune, the two wobble against each other; turn until the wobble slows down and stops.

A guitar can tune itself against its low E. The fifth fret of each string gives the next open string (E to A, A to D, D to G, B to E), except the G string, where the fourth fret gives the B. If the low E was off, the whole guitar is off with it, but in tune with itself.

The best free tuner app: what to look for

It reads fast and holds still, shows cents rather than only a light, has a chromatic mode for anything, and lets you change A4. For your instrument it knows the tunings and spells them the way players do: the guitar tuner writes half step down as E♭ A♭ D♭ G♭ B♭ E♭. This chromatic page writes C♯ and F♯, and E♭, A♭ and B♭. All of it runs in the browser, without an install, an account or ads. What it can’t do is ignore a loud room; that is what a clip-on is for.

The hardest instrument to play, and to tune

The ones usually named are the French horn (its notes sit close together high in its range), the violin (no frets), the oboe (the reed) and the bagpipes (breath and bag at once); for tuning, the piano wins: a piano has around 230 strings for its 88 keys, and its octaves are tuned slightly wide on purpose, so a chromatic tuner calls a well-tuned piano sharp at the top and flat at the bottom: that is a technician’s job, with a tuning hammer. A concert pedal harp has 47 strings, a 12-string guitar six pairs with the low four in octaves, a sitar eleven to thirteen sympathetic strings under its playing ones. The violin and the trombone are tuned in a minute; the hard part there is playing in tune.

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